rhodrymavelyne: (Default)
Tight, intimate detail draws me into a series, especially involving character interaction. I loved it in Hannibal and American Gods.

I’m seeing it in some of Marvel’s mini-series; Luke Cage, Iron Fist, Jessica Jones, and especially Daredevil.

World of Darkness sourcebooks encouraged players to storytelling with such detail, bringing the setting, along with the characters to life.

The New York City Marvel has created for Jessica Jones, Luke Cage, Matt Murdock, Danny Rand, and the people whom interact with them feels like a city in the World of Darkness; in its shadows, violence, and intimate detail.

It’s a self-contained little world in this city; where Harlem, Hell’s Kitchen, and the various corners are explored by the characters.

I know these corners will overlap. I haven’t seen The Defenders yet, although I want to. I’m wanting to get to know each of the superheroes on their own terms first.

Charlie Cox brings a compelling energy to the character of Matt Murdock. Jessica Jones manages to be tough and damaged in a way I cannot look away from. Luke Cage created a shell for himself, which is nowhere as damage proof as he is. Danny Rand explodes into moments of rage, which reveal just how much damage he’s endured.

I’m looking forward to seeing how they interact. They’ve already gathered a host of interesting characters around them; Misty Knight, Colleen Wing, Foggy Nelson, Karen Page, Elektra, Trish/Patsy, Malcolm, and Jeri Hogarth. Their foes are fascinating as well; Kilgrave, Wilson Fisk, Cottonmouth, and Madam Gao.

When Daredevil began; Matt, Foggy, and Karen in their little Hell’s Kitchen offices reminded me of Angel, Doyle, and Cordelia Chase at the very beginning of Angel, when they worked out of their small L.A. office. There was energy, which felt similar, despite distinctive differences.

Luke and Danny just lost their place and are searching for it. Jessica’s office and apartment give Bo and Kenzi’s flat in Lost Girl a run for its money in being run-down. Jess gets to know everyone in that apartment, just as Luke seemed to know everyone at Pop’s barber shop. Danny wandered through places which were no longer his.

It was truly scary, seeing David Tennant play Kilgrave after seeing him as the Doctor. Crowley on Good Omens seemed warm and fuzzy by comparison, but that’s another story.

Cottonmouth promises to be even more complex than Wilson Fisk. I marvel at how Fisk managed to be a monster and man, in his relationships with Vanessa and Wesley. Seeing him gave me Francis Dolarhyde and Hannibal Lecter flashbacks. The Adagio in D playing in the restaurant helped with that, plus it made me smile.

The City of Darkness takes its heroes on an interesting journey, different from the one of explosions and earth-shaking battles that the other Marvel heroes fight.

We’re on a more intimate level for this struggle. I’m curious where it will lead.
rhodrymavelyne: (Default)
Once again I was late to the party. Years later I’m watching American Gods. Once again there were reasons I missed it. Not as good as my reasons for missing Hannibal, but I had them.

I’m always nervous about an adaptation of something I enjoyed. I liked the book a lot, even if I didn’t love it, reading it again and again as I did The Sandman. Bryan Fuller and Neil Gaiman putting their creative talents together seemed like something I shouldn’t miss, yet Bryan Fuller leaving made me apprehensive. I remind myself that he left Dead Like Me, yet I still loved it. This didn’t make me less apprehensive.

Falling in love with the televised adaptation of The Sandman made me decide to see if I could find clips on Youtube, see if American Gods interested me. Did they ever. Not long after I decided to buy the series on DVD.

I’m almost finished with the second season and I’m totally hooked. I was stunned to see so many people from Hannibal; not just Bryan Fuller, but Chris Byrnes, Gillian Anderson, Brian Reitzell, Johnathan Tucker, Demore Barnes, Scott Thompson, Jeremy Davies, Jesse Alexander, Adam Kane, and David Slade were all involved. Not to mention Omid Abtahi whom I’d found so compelling in the Heroes pilot, playing the lover of a djinn. Seeing Ian McShane as Mr. Wednesday made me grin, for I grew up watching Lovejoy. Along with Emily Browning as Laura Moon whom I remembered as Violet Baudelaire in A Series of Unfortunate Events. I absolutely adore Bilquis. She reminds me a little of Sylar on Heroes, journeying across America in search of victims, err, worshippers. He collected powers, she collected passions. At the same time she could be so loving, so utterly sympathetic.

All of the characters have been multifaceted, even the unsympathetic ones. I’m almost at the end of Season 2. I’m curious what’s going to happen next. I have some idea of what’s coming, yet there has been so many surprises.

The very concept of gods, how powerful they become, depending on how much they are worshipped is something I’ve played with in my own writing. It’s fun to speculate in fanfiction about how powerful pairings can become when people believe in them, spend a lot of time writing about them, drawing them, investing more than a little of their heart into them. Can worshippers create their own deity without even realizing it? Or can they consciously craft a god to act according to their will and wishes?

Either could be terrifying and wondrous. The deities we create can be uplifting or repulsive. Perhaps both at the same time. They can empower the ugliest parts of ourselves or the most beautiful.

It’s something I’ve wondered about in real life, the blind faith we can put in those we worship. It’s a theme I’ve returned to again and again.

Interesting to see in this series the old gods striking back, trying to take a stand against the newcomers. Or adapt and join them.

Like I said, I’m curious what will happen next.

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